
Evan Kramer (left) stands on the roof of MIT building 33 with a camera and tripod while capturing an Astro Portrait of Noah Salk. Cambridge, MA.

Composite of six different images: One photograph of Charles, one to artificially light the foreground, one to capture each drone suspended in the air with wire, one of the Boston skyline, and one of the starscape. A fog filter was used to intentionally add a diffuse appearance to the starscape and a long focal length lens was used to achieve the desired tightly - framed foreground - background perspective. Cambridge, MA.

Composite image combining visible and infrared electromagnetic waves from 400nm to 830nm: Over 1,000 frames were captured during a six - hour period to create the star trail background, one image was captured using an 830nm infrared filte r of the scene foreground and background, and one image was captured of do Vale Pereira holding Beavercube. Cambridge, MA.

Composite image: One image captured Tomio and the radio antenna and 40 half - second images captured the ISS passing overhead. Cambridge, MA.

Composite image: Over 500 frames were captured over a four - hour period to create the star and airplane trail background. After combining all 500 frames, a distortion filter was applied over regions where airplane trails were absent to convey a sense of acoustic noise emanating from the linear airplane trails. Note the application of a distortion filter is the only instance of digital alteration in this photograph and the entire gallery. For the foreground, one frame captured Wang and three frames were averaged to capture the MIT Dome and surrounding structures. Cambridge, MA.
